My research is an ongoing practice of mapping and image production, guided by non-linear, decentralized rhizomatic thinking. I work with alternative processes and analog techniques, such as darkroom manipulation, film soup, Polaroids, and other methods that break away from traditional photographic practices.

Unlike instrumentalized photography, which is used for selling or communication, here the image becomes a tool for research, experimentation, and reflection, not for persuasion. Error, chance, and the unexpected are embraced as vital components of the creative process.

These practices resist full control and challenge predictability, making space for what cannot yet be named but insists on existing. It’s a form of resistance, where the lab and darkroom become spaces for pause and introspection, a meeting with myself and the process.

"Cartography of Multiplicity" invites reflection on the image and its role in the world. It is a continuous experiment, an open space where philosophical thought and visual production meet in the aesthetic field.